Subway Badonk FTW

subwaybutt

Damn, can the author of this NYMag post do a better job of disguising his thinly veiled, seething envy?

In his post, “How Not to Use Your Butt on the Subway, in One Extreme Photo”, Joe Coscarelli describes the above subway situation thus: “On the scale of underground nightmares, it is somewhere amongst a wild rat and a man eating a large chunk of cheese with his hands.”

Please. You can stop clutching your pearls over this one, Joe. I’m pretty sure Survey Says juicy booty > a rat running twixt your toes on the way to work. Every time.

And anyone who’s ridden a jolting NY subway knows that standing in the aisle is a precarious position. While people who lean their whole damn back against the pole during rush hour embody the spirit of RUDE, this lady’s immediate area doesn’t look too crowded. This is obviously a smart, hands-free leveraging of assets — she’s able to text whilst anchoring her center of gravity — so she doesn’t go flying headfirst down the train car as it pulls out of 42nd St. You gotta use all the tools in your toolbox, ladies.

Methinks that in addition to sounding like a snotty, elitist (vaguely racist and sexist?) dickbag, Joe doth protest too much. Were that he had such a triumphant BIG REAR DON’T CURR bringin all the bois to the backyard all DAT AZZ. Oh how he WISHES. Can’t keep your eyes off that fatty, daddy, huh?

Joe also describes the expression of the girl on the left as one of  “abject horror” and proclaims, “We stand with you, Side-Eye Girl.”

First off, I wouldn’t say that chick looks so much “horrified”, as contemplative-bordering-on-admirational. She’s all, “Hmmm…now why didn’t I think of that? Note to self: Sensible. Functional. GLORIOUS.”  An all-out Side-Eye, this is not (and I am a Side-Eye conoisseur, bishes). As far as the “we stand with you” part — speak for yourself, Joe!

To the contrary: Resourceful sunshine jeggings subway pole woman, we SALUTE you!

 

via NYMag.com

Thanks Char Char!

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Why Asian Americans Should Care About Native Mascotry

Art by Carrie Grubb

Art by Carrie Grubb

Over the past couple weeks, many Asian Americans who are active online were swept up in the major drama that was #CancelColbert. I’m not saying I’m completely on board with Colbert’s usage of “Ching-Chong” and “Oriental” to illustrate the ridiculous racism of Dan Snyder’s sham foundation (nice try Dan). Nor am I going to debate the contours and pitfalls of satire, or even re-hash the whole Twitter sh*tstorm here, as there’s already been much media a-blitzin and I just CAN’T WITH THAT. Google it.

Rather, I’d like to touch on recent efforts and why I think AAPI peeps should get on board — efforts intended to re-focus online energy and demonstrate solidarity with Native activists by supporting the original issue: changing the Washington R*dsk*ns name (and ending Native mascotry in general). These campaigns have been led by Native activists both online (EONM) and on-the-ground (see: AIM, Oneida Nation) decades before it became part of Colbert Report‘s slate or a blip on the radar of AAPI online activists.

Yes, there are deep shared social, economic, and even cultural histories between Native Americans, First Nations, and Asian folks, especially in the Northwest and Canada, that is not widely known (perhaps we can get into this via a future guest post)…but I believe there are also some immediate and intuitive parallels that should feel familiar to us Asians. Particularly how Native communities continue to be plagued by stereotypical and racist imagery  — and the narratives invoked to justify them.

Cartoon by Lalo Alcaraz

Cartoon by Lalo Alcaraz

How often have Asian Americans heard variations on the “Relax, I’m Honoring You” theme? From Katy Perry’s shuffling, mish-MESS geisha at the AMAs — to the HIMYM yellowface “homage” to kung fu flicks — to Tao’s dodgy apology about its “happy ending” advertising…to basically every case of yellow fever ever. And that’s just in the last six months!

Every Halloween, there’s geishas and ninjas and Pocahontases, oh my! — a swarm of costumed commodification set loose upon the land to try our last nerve. There’s always that one person at the party playing racial dress-up in a kimono, a feather headbandy thingy, a sombrero, or some other dreadful item (see: Dreadlock. Hats.). It’s a perennially pervasive problem, as reflected in the popular “We’re a Culture, Not a Costume” campaign (and let’s not even get started on music festivals and haute and hipster fashion).

SETH2FINAL2-1

photos for poster

These “costumes” don’t exist in some harmless, aesthetically pleasing vacuum, but are the gateway drag to activating a network of stereotypes and/or acting like a bigoted asshat. The ornamented geisha is just shy of being a submissive, exotic whore. Like the mascot “chief” with colorful feathers is a step away from a drunk savage — as Jacqueline Keeler notes in her powerful Salon piece, “My Life as a Cleveland Indian“:

“Because it’s not just the static image of the mascot that is the problem, be it stoic and noble or a horrific caricature with a feather on top. It is the license it confers others to act out dated stereotypes about us and ignore our real issues — even our humanity. This is particularly noticeable when members of EONM challenge fans, who immediately go from saying, “But we are honoring you,” to, “You’re drunks and on welfare, you should be grateful we are doing this.”

These are just a couple, perhaps more obvious examples of how our bodies, our traditions, our imagery have been similarly filtered through the fun house mirror of White gaze and used to sell products, experiences, and racial fantasies. Our culture reduced to a schtick: something ancient and quaint you can buy in a curio shop or cobble together with a hot glue gun, chopsticks, and a hodge-podge of crap from Party City.

Of course, there are limits around how far we can/should take these parallels between Native and Asian issues and experiences. But in this common understanding of what it feels like to be be reduced to kitsch and caricature, there is the opportunity and necessity to go all in together. Asian Americans, as another relatively small (but fast growing) racial group, have also felt like we were shouting into the wind, laboring to be seen and heard on our own terms — beyond buckteeth and slanted eyes, chopsocky and dragon ladies. We’ve come to appreciate the support and significance of allies, and building community beyond the usual suspects (shameless shoutout to #BuildDontBurn).

The Washington R*dsk*ns, Chief Wahoo, the Atlanta Braves — shouldn’t be viewed as solely a “Native” cause. Because the underlying issue — cultural (mis)appropriation and the lurking racism that props it up — is a shared one. Changing even one Native mascot is a win for AAPIs, because it chips away at the system that supports these stereotyped symbols, and shifts the public’s understanding around what is and what is not acceptable. What is paying respect and what is plain ol’ racism. We can do better and go farther together…and that’s how we’ll win.

***

Many Thanks to Jackie Keeler and Ethan Keller for reaching out and sharing their stories, as well as those of other Native writers and activists. Please check out their Native-led online activist group Eradicating Offensive Native Mascotry (EONM) and follow them on Twitter.

Reappropriate is aggregating a list of posts and shares that are a part of the #Native and #AAPI solidarity effort around #notyourmascot, #not4sale, and #changethename. Check it out here.

What you can do:

– Sign the 18MR petition calling on Dan Snyder to change the R*dSk*ns name and mascot here.

– Show your support by blogging & tweeting with hashtags #Not4Sale #NotYourMascot and #ChangetheName

– Send an email to Wylliet(at)redskins(dot)com asking them to change the R*dSk*ns team name.

– Add your voice to the mix!: write your own blog post, Op-ed, or sound off in the comments.